36 MORELAND STREET FOOTSCRAY :: P.O. BOX 555 :: TEL (03) 9689 7555
DOCUMENTS, AUGUST 2003
The Museum's archive of documents includes tens of thousands
of invoices, costing sheets, quotations, client orders, letters,
journals, proofs, galleys, job bags, material supply orders, press
sheets, finished works and many other items relating to operation of a
printing business or the clients of a printer.
Negatives and finished artwork (mechanicals) are nominally included
in artefacts but may be found here as part of the contents of a
job bag.
ENLARGEMENT AND DESCRIPTION
Finished item, two-sided sales information leaflet from the
1970 era.
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ENLARGEMENT AND DESCRIPTION
Press sheet, probably produced by copperplate stamping. The sheet has
four letterhead pages on it. It has largely deteriorated, having been
used as a wrapper for the copper plates.
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Some of these examples are
safely in the Museum's venue. They are fascinating and tell wonderful
stories, but the venue can hold less than 5% of the Museum's
world-unique collection. It is a matter of some grief that the rest,
including the world's only large collection of typesetting machinery
and the only collection of its kind of printing documents and
artefacts, are not being protected by the authorities or industry and
are in danger of being scrapped. |
THE 95% THAT'S IN STORAGE AND IN JEOPARDY . . . |
ENLARGEMENT? SEE JUNE PICTORIAL (DOWNLOADS)
| << View over some 20% of the Museum's collection of
documents and artefacts, boxed and palletted in the store, including
many like those above. The artefact collection, if it survives the
present crisis, will allow researchers a detailed view of what was
being printed mid to late 20th century, and how it was
printed. |
ENLARGEMENT? SEE JUNE PICTORIAL (DOWNLOADS)
Some of our thousands of stereotype matrices, from which stereotype
plates were cast. Stereos (and electrotypes) were a way of making
multiple copies of the same printing type or block.
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The Museum is seeking assistance with the cost of protecting the
stored collection for the next four years. Revenues should then be
sufficient for ongoing storage. Without support, this world-class
collection is almost certainly destined for destruction.
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