Printing Museum, Movable Type, ancient craft, typesetting, typography, printmaking, letterpress, Monotype composition, Monotype supercaster.
Melbourne Museum of Printing
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Australia's working and teaching museum of typography and printing located at Footscray, Victoria. Specialising in retention of traditional printing, both the equipment and the knowledge.
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The Monotype Composition Caster

The roll of paper visible on the machine was produced on the Monotype Keyboard machine (see below). It carries punched holes that instruct the casting machine which character to cast next, where there should be a space and how wide the spaces must be to exactly fill the line.

The output is a page of type, individual letters just like movable type, ready to print (or at least ready to print a proof for proof-reading!)

The machine behind is a Monotype Supercaster - see below.

The typecases in the background are some of the hundreds of cases of new type for use in the Museum or for supply to universities and other museums.

Movable type composed by hand began to be superseded by mechanical typesetting from around 1890. Mergenthaler's linecaster and Rogers' Typograph led the way, and Lanston's Composition Typecaster quickly followed.

Mergenthaler's machine produces each line as a solid piece, "a line of type" and it came to be called the "Linotype". Rogers' machine, also a linecaster, was successful in its own way but was withdrawn from the market when Mergenthaler bought the company from Mr. Rogers.

Tolbert Lanston's machine does not cast solid lines: it casts individual types and the name Monotype helped distinguish it from the linecasters.

There were by that time a range of machines that would automatically cast individual types but not compose. They would make movable types in bulk for later setting by hand. But Lanston's system (two separate machines) had a keyboard and it would make types in the required order to compose a text.


 

The Monotype Keyboard (seen here in the Showroom) is a separate machine from the Monotype Composition Caster. The keyboard machine, operated by compressed air, punches the code-holes into the 31-channel paper tape in response to taps on the various keys.

WARNING ! COMPLEX PARAGRAPHS FOLLOW.

As it does so it keeps track of the total width of the letters and spaces in the line so it can know the space remaining in the line when the last letter has been tapped. It can then divide that remaining space by the number of word spaces to find the extra width that must be added to each word-space in the line in order to exactly fill that line to the "measure" that applies to that story, and that information is coded onto the tape.

The tape is then, or later, mounted onto the air-tower of the Monotype Composition Caster. The air-tower reads the holes in the tape and controls the operation of the caster.

The caster is set up by its attendant for each job. The set-up includes the correct matrix-case and sizing-wedge for the typeface and size, the correct mould for the size, the exact width ("measure") of the job, and any special characters required (e.g. asterisk, percent, degree, accented letters, fractions).

The caster is capable of making three types per second but this speed is only possible for very small typefaces because of the heat-load.

For each character, the caster reads the next frame of the tape, positions the matrix case so that the matrix required for that character is located over the mould aperture, adjusts, according to the sizing-wedge, the set-width of the aperture to the width required for that character, raises the pump and nozzle to form a metal-tight mating with the underside of the mould, discharges the pump to fill the mould with molten metal, waits about 50 milli-seconds for the metal to freeze, pushes the cross-block away from the aperture and brings the type carrier to that position.

It then fully closes the type-mould blade to eject the newly-formed type into the carrier, brings the cross-block back and the carrier back to be level with the type-channel, and pushes the type into the channel where it takes its place in the growing line of text. At that moment, the machine is casting the following type.

All that can be done in one-third of a second.

The mould is cooled by a flow of water, without which the hot metal being pumped into it would overheat the mould and it would be damaged. The heat load with larger type (such as 12 point) is much greater than for 6 point, and the machine must run slower with those larger sizes.


THE MONOTYPE SUPERCASTER AT WORK. A BOX OF MATRICES IS ON THE TABLE OF THE MACHINE, AND A FEW HAVE BEEN PLACED ON THE TABLE. THE MATRIX HOLDER, WITH A MATRIX IN IT, IS HIGHLIGHTED BY THE ARROW. A FEW NEW TYPES, JUST MADE, ARE VISIBLE IN THE TYPE CHANNEL.

ON THE SHELF, BEHIND, IS A SPARE METAL PUMP: IN USE, THE BODY OF THE PUMP IS SUBMERGED IN THE CRUCIBLE OF MOLTEN TYPEMETAL.

The Monotype Supercaster is not fully automatic. It is described as semi-automatic as it needs its attendant to place the selected matrix into its holder and thence into the space above the mould. The set-width required for each character also needs to be set by the attendant, who would then start the machine and, usually, make a quantity of each character before changing to the next one. These types would either be made up into founts or laid into a typecase for hand composition.

The Supercaster most commonly produces type in sizes from 14 pt to 72 pt. If a user did not have a composition caster, they could choose to use a Supercaster to make smaller type (for hand setting) right down to 6 pt or less. The Supercaster has an adaptation to produce other material such as strips of spacing and strips of ornamental borders in any length.

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